"That Ibanez woman gave her notice. I need you to disable her accounts next week." Stan reproaches himself for denying his instinct to let the call go to voice mail. "Thanks for the heads up, Carl. Is there any chance you could call me next week, instead? She still needs her accounts, right, until then?"
"I'm calling you now." There was a click, and dead air. Stan presumes the conversation is over and sets a reminder on his calendar to disable Issy's computer accounts. "I probably should have asked if he wants her email deleted or archived," Stan thinks out loud.
Stan's workstation is cluttered with notes scribbled on random pieces of paper, unframed pictures of his family tacked to the cube wall, and several action figures. He seems fond of the Teenage Mutant Ninja Turtles. He's wearing khakis and a moss colored sweater. His hair is tussled where the band of his headphones was sitting. On his desk are two computer monitors. One displays his email inbox full of messages he's already read. The other a dozen overlapping windows of gobbledy-gook which presumably pertains to his work managing the computer systems. But he's primarily focused on his smart phone; on which he tweets, "Coworker is rude when asked to do his own work. Poor guy must have no friends."
After staring into space for a moment, Stan's mumble is barely audible and incomprehensible. What he said was, "I'd better go ask him." He stands and walks from his cubicle, takes the long way past the receptionist and smiles at him, crosses through an empty conference room, walks past the break room, hangs a right into what looks like a supply area, and enters the "back office," where Carl glares at his computer monitor and clicks angrily.
Carl's office has three desks, one chair, and no windows. It's flanked front to back by five-drawer file cabinets. The cabinets and two desks are covered with binders and file boxes full of what Stan assumes to be unnecessarily printed accounting papers. On Carl's desk are several pencils side by side with fresh points, a cup full of one each of: red, blue, and black ink ball point pens; yellow, pink, blue, and green highlighters; black, red, blue, and green dry erase pens; and a black sharp point marker. The papers in Carl's inbox appear to be alphabetized based on the presence of lettered sticky-tabs on their right-hand margin.
Carl is wearing a pressed white shirt with blue stripes. His collar and his cuffs are buttoned and he's wearing a tie and a tie clip. His navy pinstriped jacket is on a hanger hung from a hook on the back of the door. The toes of his polished black shoes are poking out from under the desk.
There are no decorations that Stan can see, nor any item which does not pertain to the business of accounting, except for a single 4x6" photo of him and his family in a plain wooden frame. It seems to Stan it's there because it's "supposed to be."
Carl still hasn't acknowledged Stan, so Stan summons the courage to interrupt, "Hey, Carl, what's wrong?"
"What? Nothing, why?"
"You seem, I don't know, kinda angry."
"Why?"
"Never mind. Hey, I have a question about Ms. Ibanez' email account."
"I asked you to disable that next week." Carl turns his ill-temper on Stan. Stan does not react, keeping his wounded feelings in check.
"Actually, you asked me to disable her network account, which I've scheduled."
"Why didn't you just call?" Carl interrupts.
"Are you sure nothing is wrong?" Stan seems more concerned than chaffed by Carl's apparent disregard for his feelings.
"What's wrong is this computer isn't doing what it's supposed to do and I keep getting interrupted by everyone in the office." Carl straightens in his chair, reveling in his self-perceived boldness, and glares at Stan apparently awaiting acknowledgement.
"I'm sorry. Who else has disturbed you?" Stan asks out of curiosity.
"No one," Carl says with a smirk.
Stan moves on, "Right, so Issy..."
"Who's that?"
"Isabella? Ms. Ibanez?"
"Oh. Why did you call her that?"
"She likes it."
Carl scoffs.
"Anyway, we don't disable email. I need to know if you want it deleted or archived," Stan is trying to hurry this along so he can go outside and release his new-found tension.
"I don't," Carl sighed, or deflated, Stan isn't sure.
"Sorry?"
"I don't want either. I don't care at all. Just do what you usually do." Carl's "patience" has apparently run out.
"I usually do what the requester, um, requests. Hey, who does Issy report to?"
"Townsend."
"Great, thanks! I'll just go ask him what he wants to do and update the information you gave me."
"Super," Carl says sarcastically.
"So, what are you working on, anyway? If your computer isn't working maybe I can help?" Stan offers.
"You can't help. My whole life is like this. I'll just have to suffer like always."
"Great. You enjoy that. I'll talk to you later." Stan lets out a deep breath as he passes the break room.
I have no idea what I was supposed to learn here except that I wouldn't want to work with either of these men.
ReplyDeleteAlso, I liked that you made the receptionist a "him."
Thanks. I was afraid this wouldn't make sense. However, the point of the series (if it proceeds) is that you do work with these men. They represent 60% of all coworkers (and people in general).
ReplyDeleteI just realized you commented back. Blogger really needs a new system.
ReplyDeleteYes, I'm sure I do work with both of them. I might even be one of them. I just wouldn't want to.